Michelle Pawk played the many characters in this little play. She is a joy to work with and I wish i had more shots from the production. Lou Jacob directed this and, as always, was great to work with. An interesting idea of how everyone can see a single story from a different perspective.
..................................... A photo journal of my work
A dear old friend of mine introduced me at a production meeting as "That Famous Polish Lighting Designer" and we all chuckled. During the production the crew gave me a pen/desk set with the engraving TFPLD. As the internet came into popular culture i needed an email addy. I tried 4 different names and on my last chance i looked at my pen/desk set and said of course "TFPLD"
Monday, May 16, 2011
The Credeaux Canvas" for City Theatre 2002
I couldn't post what happens 5 minutes later in this play. It is a pg rated blog afterall.. This was the first of many productions i have done with director Tracy Brigden. We have a short hand communication and it makes it easy when we are doing challenging multi-locale plays or musicals. I wish i had more shots of this production as well.
"Fuddy Meers" for City Theatre 2002
"The Underpants" for City Theatre 2005
"La clemenza di Tito" for Pittsburgh Opera 2002
Final dress rehearsal pictures for the young artist program. This was the first time i worked with Kristine Mcintyre. We were so excited on the final dress when the glitter drop hit we just about jumped out of our seats. It was the first time we were able to do it and it worked beautifully. I will be doing a production of "Tosca" with Kristine for Pittsburgh Opera in the spring of 2012.
"What The Butler Saw" for PICT 2009
"A Midsummer Nights Dream" for Pittsburgh Opera 2003
This was the land of the extremely tall tenors. The front light angle was very shallow and the relationship of the cyc to the center playing space wasn't very far. Also the center disk was elevated by 2 feet. This made life difficult. Only that problem but the director/designer wanted the piece to be dark..dark...dark. He was very easy to work with though. In the end we reached a mutual agreement on the darkness. After all it is midsummer NIGHTS dream.
Sunday, May 15, 2011
"Avenue X" for City Theatre 1996
"Street Scene" for Pittsburgh Opera 2002
This was my first official main stage for Pittsburgh Opera. I designed for the young artist program and galas previously. I also designed a production of "Cenerentola" but that was fashioned of the original production. This is a Kurt Weill opera. It is very different in that there is quite a bit of dialogue in the show. Acting is very important. This was very easy process and i was proud of my work. It helped that the director and I had worked together before. It also helped that it was in a theater i was quite familiar with, as well as the crew.
"The Mystery of Irma Vep" at City Theatre 2000
This is a wacky, crazy, extremely funny play. It is truly an actor tour de force. You better have a great costume run crew. 2 actors play 7 different characters and are constantly changing. I was able to have lighting specials that i never dreamt of before. Who puts a "special" on a door knob? Would i do this play again...DEFINITELY!
"Watching My Hair Grow" in pittsburgh and boston 1995
This one man play was first produced in pittsburgh. Jeff Shade wrote/directed/produced this. A little over a year later we did it again in boston. A year later he got a production in NYC.. I was not asked. It was my first time dealing with creating a new piece where my work was taken from me without regard. Theater can be a tough life.
"Master Class" for City Theatre 2000
"How I learned to Drive" for the Pittsburgh Public Theatre 1999
This was the last production for the Pittsburgh Public Theater at the Hazlett Theater space. While i was very happy to have a chance to design the play it was bittersweet in some ways. I had "cut my teeth" working for that company and still had many friends who i was very happy to rejoin. I was also happy to work with the other designers and the director on this project. Ray's set was great to work on.
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